Self-taught, her work decants in a personal style with a strong playful imprint, a reinterpretation of Latin American magical realism from the universalist vision of Buenos Aires at the end of the 20th century.
Her work has been part of international events: Casa América, Madrid; Anima Mundi, Venice; Galerie Arts, Paris; The Secret Garden, Cavan-Ireland; Femme Champions International Art Exhibition, Washington; Encapsularte-Peace Museum Foundation, Bucaramanga-Colombia; Break your silence-No to violence 2021 Trujillo-Peru; Daughters of Venus, Cuernavaca-Mexico; Red Tree Art House Punta del Este-Uruguay; ArtWeek2022, Santiago-Chile.
Her work has been included in: Art and Artists Magazine (Peru) 2017; Niji Magazine (UK) May 2020; Good Guide Art (UK) September 2017; CP Magazine (Mexico) October 2020; Ophelia Magazine (Argentina / Chile) November 2020 and December 2022; Orbe Art and Culture Magazine (Mexico) January 2021; GalaArt May-June 2021 (Spain); Art Magazine May 2021-NNC (UK); Boomer Magazine #3 / Identity December 2021 (UK).
Style
The mixtures of supports and techniques are combined in the creative process with the cultural and historical mixture, the sum of traditions and disparate aesthetics in the search for a common and cosmopolitan language. The growing acceptance of her work outside her country confirms that Gabriela Farnell’s work develops an effective visual language to communicate beyond her native territory.